W riting
for piano since the age of thirteen, Greg's musical journey has taken him down
many roads. "From 60's rock 'n' roll Ilearned how to improvise," Greg
explains. "Many nights playing clubs throughout the US and Canada, playing
five or six hours a night, six nights a week, playing the same songs every night,
soon you start to experiment with the music, to improvise." Another
positive influence the 60's had on him was in the quality of songwriting. "In
the 60's, you had artist like the Beatles and the Byrds,who would put out full
albums of new, original music every six months," Greg says. "Always
something new, always some growth as an artist. The level of creative output was
far better than what it is now. Now a major artist might put out a new release
once every three years, and the music is totally formulaic." Beethoven
was another early influence on Greg's music. "Beethoven virtually invented
the hook," ventures Greg. "His music also had a dark quality. You can
feel the pain and the angst of his life through his music." Born
in Seattle, Washington, in 1954, Greg grew up in the bucolic settings of rural
Western Washington state. The atmospheres and scenes from this environment still
are prominent in his writing today. In 1971, Greg attended
The Evergreen State College, in Olympia, Washington, studying music. It was there
that he met, and formed a strong relationship with Norman Durkee. More
recently, he has applied his tasteful and understated style to the Hammond Organ
as a fundamental part of the The Joads Rhythm
Section. His playing can also be heard on their latest offering "Judgment
of The Flame". Currently Greg is playing the coffeehouses of Southern
California and writing material for the follow-up album to Zutique".
He is also completing work on a soundtrack for a full-length documentary film
about Xela-Aid, the
non-denominational organization that provides medical care and humanitarian aid
to Guatemala. |